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Sports, in general, could be described as ritualized warfare where one power competes with another, where each hero star athlete strives to defeat a worthy opponent within a setting where death is unlikely. Control and ritual seem to be the defining terms. In coming to grips with the eternally present fact of death remember : antiquity was a time of high infant mortality, death by diseases we can now control, and almost incessant warfare , the ancients put on shows where death was under human control.

In honor of his friend Patroclus, Achilles held funeral games as described in Iliad The Pythian Games celebrated Apollo's slaying of the Python.

The Isthmian games were a funeral tribute to the hero Melicertes. The Nemean games celebrated either Hercules' killing of the Nemean lion or the funeral of Opheltes. All of these games celebrated death. But what about the Olympics? The Olympic games also began as a celebration of death, but like the Nemean games, the mythological explanations for the Olympics are confused. His wife, however, is also being seduced and blackmailed by a Nicholas Beckett. She, therefore, promises. Mythology While Demeter was searching for her daughter Persephone, having taken the form of an old woman called Doso, she received a hospitable welcome from Celeus, the King of Eleusis in Attica.

Funeral Games of Marcus Pelorus | Spartacus Wiki | FANDOM powered by Wikia

He asked her to nurse Demophon his son by Metanira. As a gift to Celeus, because of his hospitality, Demeter planned to make Demophon a god, by anointing and coating him with ambrosia, breathing gently upon him while holding him in her arms and bosom, and making him immortal by burning his mortal spirit away in the family hearth every night. He sailed with Jason and the Argonauts, and participated in the hunt for the Calydonian Boar.

Mythology After the return of the Argonauts, Acastus's sisters were manipulated by Medea to cut their father Pelias in pieces and boil them. Acastus, when he heard this, buried his father, and drove Jason and Medea from Iolcus and, according to Pausanias, his sisters also ,[2] and instituted funeral games in honor of his father.

Acastus purified Peleus of the murder of King Eurytion of Phthia. It was first performed in BC at the funeral games of Aemilius Paulus. Demea is a strict authoritarian father, and Micio is permissive and democratic. Ctesipho falls in love, but is afraid of exposing his romantic interest due to the strict and cold education he's received from Demea. Therefore Aeschinus, in order to help his brother, decides to steal the girl away, accepting all blame for the affair. Demea and Micio spar over who did a better job at raising their sons. After a long monologue comparing his methods with his brothers, Demea decides to emulate.

Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle. He is most famous for his nostos or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology and epithets In Greek the name was used in various versions. Family Amarynceus was the son of Onesimachus[1] or of Acetor[2].

Mnesimache, daughter of Dexamenus of Olenus, was the mother of Diores[3] while his other son Hippostratus was said have seduced Periboea, daughter of Hipponous. Homer, on the other hand, only mentions Amarynceus' son Diores also known by the patronymic Amarynceides as partaking in the Trojan War. Look up hold your horses in Wiktionary, the free dictionary. The phrase is historically related to horse riding or travelling by horse, or driving a horse-drawn vehicle.

A number of explanations, all unverified, have been offered for the origins of the phrase, dating back to usage in Ancient Greece. The saying is typically used when someone is rushing into something. It is often combined with linked idioms such as cool your jets. However it also has a more literal meaning and in certain circumstances is the preferred idiom to use.

Someone is to slow down when going too fast,[1] or to wait a moment, or to be more careful,[2] or to be patient before acting. It is usually followed up with an explanation to demonstrate why you should wait. Look up deathmatch in Wiktionary, the free dictionary. Drinking bowl with scenes from the Aethiopis epic, Attic, c. It was one of the Epic Cycle, that is, the "Trojan" cycle, which told the entire history of the Trojan War in epic verse.

The story of the Aethiopis comes chronologically immediately after that of the Homeric Iliad, and is followed by that of the Little Iliad. The poem comprised five books of verse in dactylic hexameter. Date The Aethiopis was probably composed in the seventh century BC, but there is much uncertainty about its date. Ancient sources date Arctinus to the eighth century; but the earliest artistic representations of one of the most important characters, Penthesilea, date to about BC, suggesting a much later date.

Content In current critical editions only five lines survive of the Aethiopis. The funeral games of Aeneas' father Anchises were held there. Those of Aeneas' folk who wished to voyage no further were allowed to remain behind with Acestes and together with Acestes' people they founded the city of. In Greek mythology, the people of Athens were at one point compelled by King Minos of Crete to choose 14 young noble citizens seven young men and seven maidens to be offered as sacrificial victims to the half-human, half-taurine monster Minotaur to be killed in retribution for the death of Minos' son Androgeos.

The Flaming Arrow of Classical Education: Funeral Games in the Aeneid as Symbol and Hope

The victims were drawn by lots, were required to go unarmed, and would end up either being consumed by the Minotaur or getting lost and perishing in the Labyrinth, the maze-like structure where the Minotaur was kept. The offerings were to take place every one, seven or nine years and lasted until Theseus volunteered to join the third group of the would-be victims, killed the monster and led his companions safely out of the Labyrinth. According to it, the young people were not actually killed but given as prizes to winners of. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad.

Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest".

Zeus sent the g. David Chiu 1 August Wrestling: Rules, Tips, Strategy, and Safety. The Rosen Publishing Group. Retrieved 17 August Gardiner, E. Norman Athletics In The Ancient World. United Kingdom: Dover Publications. Poliakoff, Michael B. Bethany, Connecticut: Yale University Press. Homer , Iliad book Publius Vergilius Maro , Aeneid book 5. Wendy J.

The Ancient Olympic Games Began as a Celebration of Death

Raschke 15 June Univ of Wisconsin Press. Retrieved 12 August Roller, Lynn E. Stadion: 1— William H. Freeman 21 January Funeral games topic Funeral games are athletic competitions held in honor of a recently deceased person. Funeral Games novel topic Funeral Games is a historical novel by Mary Renault, dealing with the death of Alexander the Great and its aftermath, the gradual disintegration of his empire. Funeral Games disambiguation topic Funeral games are athletic contests held in honor of a recently deceased person. Ancient Olympic Games topic The palaestra of Olympia, a place devoted to the training of wrestlers and other athletes The ancient Olympic Games were originally a festival, or celebration of and for Zeus; later, events such as a footrace, a javelin contest, and wrestling matches were added.

His friends were to provide horses but Perseus failed to bring any, so Polydectes announced that he wanted nothing m Folders related to Polydectes: Greek mythology Revolvy Brain revolvybrain Kings in Greek mythology Revolvy Brain revolvybrain. Munera ancient Rome topic In ancient Rome, munera Latin plural were the provision of public works and entertainments provided for the benefit of the Roman people 'populus Romanus' by individuals of high status and wealth.

Panathenaic Games topic Greek vase depicting runners at the Panathenaic Games c. Achilles topic Ancient Greek polychromatic pottery painting dating to c. Later legends beginning with Statius' unfinished epic Achilleid, written in the 1st century AD state that Achilles was invulnerable in all of his body except for his heel because, when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels Folders related to Achilles: Achaean Leaders Revolvy Brain revolvybrain Characters in Greek mythology Revolvy Brain revolvybrain LGBT themes in Greek mythology Revolvy Brain revolvybrain.

Bagoas courtier topic 'Bagoas pleads on behalf of Nabarzanes', by Master of the Jardin de vertueuse consolation and assistant Flemish, active 3rd quarter of 15th century. Nemean Games topic The stadion of Nemea. The custom of rejoicing after a funeral was then enshrined in the Cuiteach Fuait, games of mental and physical ability accompanied by a lar Folders related to Aonach: Social history of Ireland Revolvy Brain revolvybrain Ancient Ireland Revolvy Brain revolvybrain National multi-sport events Revolvy Brain revolvybrain.

Python mythology topic Apollo killing Python. Vica Pota topic In ancient Roman religion, Vica Pota was a goddess whose shrine aedes was located at the foot of the Velian Hill, on the site of the domus of Publius Valerius Publicola. Asconius identifies her with Victoria,[5] but she is probably an earlier Roman or Italic form of victory goddess that predated Victoria and the influence of Greek Nike;[6] Vica Pota was thus the older equivalent of V Folders related to Vica Pota: Roman goddesses Revolvy Brain revolvybrain Victory Revolvy Brain revolvybrain.

Priam topic Priam killed by Neoptolemus, detail of an Attic black-figure amphora, ca. Illness and death Thatcher suffered several small strokes in and was advised by her doctors not to engage in Folders related to Death and funeral of Margaret Thatcher: s in the City of Westminster Revolvy Brain revolvybrain 21st century in the City of Westminster Revolvy Brain revolvybrain Non-combat military operations involving the Un Revolvy Brain revolvybrain.

Space Funeral topic Space Funeral is an independently created role-playing video game and art game by Irish developer thecatamites. The Persian Boy topic The Persian Boy is a historical novel written by Mary Renault and narrated by Bagoas, a young Persian from an aristocratic family who is captured by his father's enemies, castrated, and sold as a slave to king Darius III, who makes him his favorite. Overview In Iliad, the Homeric epic, heralds serve heroic nobility in humble tasks, as cooks, fire-kindlers, wine-pourers, and waiters during feasts and symposia, as scavengers of corpses on the battlefield for cremation or as umpires during funeral games, as messengers between enemies, allies, and warriors during battle, as announcers of public assembly and as language translators hermeneus , and in other odd jobs that earned them the rank of demi Folders related to Kerykes: Eleusinian hierophants Revolvy Brain revolvybrain Eleusinian Mysteries Revolvy Brain revolvybrain Greek mythology Revolvy Brain revolvybrain.

However, as these events are prefigured and alluded to more and more vividly, when it reaches an end Folders related to Iliad: 8th-century BC books Revolvy Brain revolvybrain Iliad Revolvy Brain revolvybrain Public domain books Revolvy Brain revolvybrain. Taraxippus topic In Greek mythology, the Taraxippus plural: taraxippoi, "horse disturber", Latin equorum conturbator[1] was a presence, variously identified as a ghost or dangerous site, blamed for frightening horses at hippodromes throughout Greece.

It is in the shape of a round altar and there the horses are seized by a strong and sudden fear for no apparent reason, and from the fear comes a distur Folders related to Taraxippus: Horse behavior Revolvy Brain revolvybrain Ancient Olympia Revolvy Brain revolvybrain Greek legendary creatures Revolvy Brain revolvybrain. After Bessus was captured by the Macedonian ruler Alexander the Great, Oxyartes and his family continued to resist the Greeks, and along with other Iranian notables such as the Sogdian warlord Spitamenes, took up a defensive position i Folders related to Roxana: Sogdian people Revolvy Brain revolvybrain Ancient murder victims Revolvy Brain revolvybrain Women of the Achaemenid Empire Revolvy Brain revolvybrain.

His arrow misses, striking the mast to which the targ Folders related to Hippocoon: Mythological kings of Sparta Revolvy Brain revolvybrain Set indices on Greek mythology Revolvy Brain revolvybrain Greek mythology Revolvy Brain revolvybrain. After a long monologue comparing his methods with his brothers, Demea decides to emulate Folders related to Adelphoe: Works by Terence Revolvy Brain revolvybrain. Hold your horses topic Look up hold your horses in Wiktionary, the free dictionary. Deathmatch disambiguation topic Look up deathmatch in Wiktionary, the free dictionary.

Aethiopis topic Drinking bowl with scenes from the Aethiopis epic, Attic, c. Those of Aeneas' folk who wished to voyage no further were allowed to remain behind with Acestes and together with Acestes' people they founded the city of Folders related to Acestes: Characters in Greek mythology Revolvy Brain revolvybrain Children of River Gods Revolvy Brain revolvybrain Demigods of Classical mythology Revolvy Brain revolvybrain. Sacrificial victims of Minotaur topic In Greek mythology, the people of Athens were at one point compelled by King Minos of Crete to choose 14 young noble citizens seven young men and seven maidens to be offered as sacrificial victims to the half-human, half-taurine monster Minotaur to be killed in retribution for the death of Minos' son Androgeos.

According to it, the young people were not actually killed but given as prizes to winners of Folders related to Sacrificial victims of Minotaur: Cretan mythology Revolvy Brain revolvybrain Greek mythology Revolvy Brain revolvybrain Attic mythology Revolvy Brain revolvybrain. But this my prize I never shall forego; This, who but touches, warriors! Thus spake the youth; nor did his words offend; Pleased with the well—turn'd flattery of a friend, Achilles smiled: "The gift proposed he cried , Antilochus!

With plates of brass the corslet cover'd o'er, The same renown'd Asteropaeus wore, Whose glittering margins raised with silver shine, No vulgar gift, Eumelus! He said: Automedon at his command The corslet brought, and gave it to his hand. Distinguish'd by his friend, his bosom glows With generous joy: then Menelaus rose; The herald placed the sceptre in his hands, And still'd the clamour of the shouting bands. Not without cause incensed at Nestor's son, And inly grieving, thus the king begun:. Robb'd of my glory and my just reward, To you, O Grecians!

But shall not we, ourselves, the truth maintain? What needs appealing in a fact so plain? What Greek shall blame me, if I bid thee rise, And vindicate by oath th' ill—gotten prize? Rise if thou darest, before thy chariot stand, The driving scourge high—lifted in thy hand; And touch thy steeds, and swear thy whole intent Was but to conquer, not to circumvent. Swear by that god whose liquid arms surround The globe, and whose dread earthquakes heave the ground! The prudent chief with calm attention heard; Then mildly thus: "Excuse, if youth have err'd; Superior as thou art, forgive the offence, Nor I thy equal, or in years, or sense.

Thou know'st the errors of unripen'd age, Weak are its counsels, headlong is its rage. The prize I quit, if thou thy wrath resign; The mare, or aught thou ask'st, be freely thine Ere I become from thy dear friendship torn Hateful to thee, and to the gods forsworn. So spoke Antilochus; and at the word The mare contested to the king restored. Joy swells his soul: as when the vernal grain Lifts the green ear above the springing plain, The fields their vegetable life renew, And laugh and glitter with the morning dew; Such joy the Spartan's shining face o'erspread, And lifted his gay heart, while thus he said:.

Rash heat perhaps a moment might control, Not break, the settled temper of thy soul. Not but my friend 'tis still the wiser way To waive contention with superior sway; For ah! To plead indulgence, and thy fault atone, Suffice thy father's merit and thy own: Generous alike, for me, the sire and son Have greatly suffer'd, and have greatly done. I yield; that all may know, my soul can bend, Nor is my pride preferr'd before my friend. He said; and pleased his passion to command, Resign'd the courser to Noemon's hand, Friend of the youthful chief: himself content, The shining charger to his vessel sent.

The golden talents Merion next obtain'd; The fifth reward, the double bowl, remain'd. Achilles this to reverend Nestor bears. And thus the purpose of his gift declares: "Accept thou this, O sacred sire! Take thou this token of a grateful heart, Though 'tis not thine to hurl the distant dart, The quoit to toss, the ponderous mace to wield, Or urge the race, or wrestle on the field: Thy pristine vigour age has overthrown, But left the glory of the past thy own.

Too true it is, deserted of my strength, These wither'd arms and limbs have fail'd at length. I quell'd Clytomedes in fights of hand, And backward hurl'd Ancaeus on the sand, Surpass'd Iphyclus in the swift career, Phyleus and Polydorus with the spear. The sons of Actor won the prize of horse, But won by numbers, not by art or force: For the famed twins, impatient to survey Prize after prize by Nestor borne away, Sprung to their car; and with united pains One lash'd the coursers, while one ruled the reins.

Such once I was! Now to these tasks succeeds A younger race, that emulate our deeds: I yield, alas! Though once the foremost hero of the field. Go thou, my son! Proud of the gift, thus spake the full of days: Achilles heard him, prouder of the praise. The prizes next are order'd to the field, For the bold champions who the caestus wield. A stately mule, as yet by toils unbroke, Of six years' age, unconscious of the yoke, Is to the circus led, and firmly bound; Next stands a goblet, massy, large, and round. Achilles rising, thus: "Let Greece excite Two heroes equal to this hardy fight; Who dare the foe with lifted arms provoke, And rush beneath the long—descending stroke.

On whom Apollo shall the palm bestow, And whom the Greeks supreme by conquest know, This mule his dauntless labours shall repay, The vanquish'd bear the massy bowl away. This dreadful combat great Epeus chose; High o'er the crowd, enormous bulk! Price of his ruin: for who dares deny This mule my right; the undoubted victor I Others, 'tis own'd, in fields of battle shine, But the first honours of this fight are mine; For who excels in all?

Then let my foe Draw near, but first his certain fortune know; Secure this hand shall his whole frame confound, Mash all his bones, and all his body pound: So let his friends be nigh, a needful train, To heave the batter'd carcase off the plain. The giant spoke; and in a stupid gaze The host beheld him, silent with amaze! Him great Tydides urges to contend, Warm with the hopes of conquest for his friend; Officious with the cincture girds him round; And to his wrist the gloves of death are bound.

Amid the circle now each champion stands, And poises high in air his iron hands; With clashing gauntlets now they fiercely close, Their crackling jaws re—echo to the blows, And painful sweat from all their members flows. At length Epeus dealt a weighty blow Full on the cheek of his unwary foe; Beneath that ponderous arm's resistless sway Down dropp'd he, nerveless, and extended lay. As a large fish, when winds and waters roar, By some huge billow dash'd against the shore, Lies panting; not less batter'd with his wound, The bleeding hero pants upon the ground.

To rear his fallen foe, the victor lends, Scornful, his hand; and gives him to his friends; Whose arms support him, reeling through the throng, And dragging his disabled legs along; Nodding, his head hangs down his shoulder o'er; His mouth and nostrils pour the clotted gore; Wrapp'd round in mists he lies, and lost to thought; His friends receive the bowl, too dearly bought. The third bold game Achilles next demands, And calls the wrestlers to the level sands: A massy tripod for the victor lies, Of twice six oxen its reputed price; And next, the loser's spirits to restore, A female captive, valued but at four.

Scarce did the chief the vigorous strife prop When tower—like Ajax and Ulysses rose. Amid the ring each nervous rival stands, Embracing rigid with implicit hands. Close lock'd above, their heads and arms are mix'd: Below, their planted feet at distance fix'd; Like two strong rafters which the builder forms, Proof to the wintry winds and howling storms, Their tops connected, but at wider space Fix'd on the centre stands their solid base. Now to the grasp each manly body bends; The humid sweat from every pore descends; Their bones resound with blows: sides, shoulders, thighs Swell to each gripe, and bloody tumours rise.

Nor could Ulysses, for his art renown'd, O'erturn the strength of Ajax on the ground; Nor could the strength of Ajax overthrow The watchful caution of his artful foe. While the long strife even tired the lookers on, Thus to Ulysses spoke great Telamon: "Or let me lift thee, chief, or lift thou me: Prove we our force, and Jove the rest decree. He said; and, straining, heaved him off the ground With matchless strength; that time Ulysses found The strength to evade, and where the nerves combine His ankle struck: the giant fell supine; Ulysses, following, on his bosom lies; Shouts of applause run rattling through the skies.

Ajax to lift Ulysses next essays; He barely stirr'd him, but he could not raise: His knee lock'd fast, the foe's attempt denied; And grappling close, they tumbled side by side. Defiled with honourable dust they roll, Still breathing strife, and unsubdued of soul: Again they rage, again to combat rise; When great Achilles thus divides the prize:. Ye both have won: let others who excel, Now prove that prowess you have proved so well. The hero's words the willing chiefs obey, From their tired bodies wipe the dust away, And, clothed anew, the following games survey.

Funeral Games in Honour of Patroclus.

And now succeed the gifts ordain'd to grace The youths contending in the rapid race: A silver urn that full six measures held, By none in weight or workmanship excell'd: Sidonian artists taught the frame to shine, Elaborate, with artifice divine; Whence Tyrian sailors did the prize transport, And gave to Thoas at the Lemnian port: From him descended, good Eunaeus heir'd The glorious gift; and, for Lycaon spared, To brave Patroclus gave the rich reward: Now, the same hero's funeral rites to grace, It stands the prize of swiftness in the race.

A well—fed ox was for the second placed; And half a talent must content the last. Achilles rising then bespoke the train: "Who hope the palm of swiftness to obtain, Stand forth, and bear these prizes from the plain. The hero said, and starting from his place, Oilean Ajax rises to the race; Ulysses next; and he whose speed surpass'd His youthful equals, Nestor's son, the last.

Ranged in a line the ready racers stand; Pelides points the barrier with his hand; All start at once; Oileus led the race; The next Ulysses, measuring pace with pace; Behind him, diligently close, he sped, As closely following as the running thread The spindle follows, and displays the charms Of the fair spinster's breast and moving arms: Graceful in motion thus, his foe he plies, And treads each footstep ere the dust can rise; His glowing breath upon his shoulders plays: The admiring Greeks loud acclamations raise: To him they give their wishes, hearts, and eyes, And send their souls before him as he flies.

Now three times turn'd in prospect of the goal, The panting chief to Pallas lifts his soul: "Assist, O goddess! And present at his thought descends the maid. Buoy'd by her heavenly force, he seems to swim, And feels a pinion lifting every limb. All fierce, and ready now the prize to gain, Unhappy Ajax stumbles on the plain O'erturn'd by Pallas , where the slippery shore Was clogg'd with slimy dung and mingled gore. The self—same place beside Patroclus' pyre, Where late the slaughter'd victims fed the fire. Besmear'd with filth, and blotted o'er with clay, Obscene to sight, the rueful racer lay; The well—fed bull the second prize he shared, And left the urn Ulysses' rich reward.

Then, grasping by the horn the mighty beast, The baffled hero thus the Greeks address'd:. Thus sourly wail'd he, sputtering dirt and gore; A burst of laughter echoed through the shore. Antilochus, more humorous than the rest, Takes the last prize, and takes it with a jest:. The gods still love them, and they always thrive. Ye see, to Ajax I must yield the prize: He to Ulysses, still more aged and wise; A green old age unconscious of decays, That proves the hero born in better days!

Behold his vigour in this active race! Achilles only boasts a swifter pace: For who can match Achilles? He who can, Must yet be more than hero, more than man. The effect succeeds the speech. Pelides cries, "Thy artful praise deserves a better prize. Nor Greece in vain shall hear thy friend extoll'd; Receive a talent of the purest gold. The host admire The son of Nestor, worthy of his sire. Next these a buckler, spear, and helm, he brings; Cast on the plain, the brazen burden rings: Arms which of late divine Sarpedon wore, And great Patroclus in short triumph bore.

Who first the jointed armour shall explore, And stain his rival's mail with issuing gore, The sword Asteropaeus possess'd of old, A Thracian blade, distinct with studs of gold, Shall pay the stroke, and grace the striker's side: These arms in common let the chiefs divide: For each brave champion, when the combat ends, A sumptuous banquet at our tents attends.

Fierce at the word uprose great Tydeus' son, And the huge bulk of Ajax Telamon. Clad in refulgent steel, on either hand, The dreadful chiefs amid the circle stand; Louring they meet, tremendous to the sight; Each Argive bosom beats with fierce delight. Opposed in arms not long they idly stood, But thrice they closed, and thrice the charge renew'd. A furious pass the spear of Ajax made Through the broad shield, but at the corslet stay'd. Not thus the foe: his javelin aim'd above The buckler's margin, at the neck he drove.

PLAYING DEAD AT A FUNERAL ׁ(Hitman 2 Finale)

But Greece, now trembling for her hero's life, Bade share the honours, and surcease the strife. Yet still the victor's due Tydides gains, With him the sword and studded belt remains. Then hurl'd the hero, thundering on the ground, A mass of iron an enormous round , Whose weight and size the circling Greeks admire, Rude from the furnace, and but shaped by fire. For this, he bids those nervous artists vie, That teach the disk to sound along the sky.

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Stern Polypoetes stepp'd before the throng, And great Leonteus, more than mortal strong; Whose force with rival forces to oppose, Uprose great Ajax; up Epeus rose. Each stood in order: first Epeus threw; High o'er the wondering crowds the whirling circle flew. Leonteus next a little space surpass'd; And third, the strength of godlike Ajax cast. O'er both their marks it flew; till fiercely flung From Polypoetes' arm the discus sung: Far as a swain his whirling sheephook throws, That distant falls among the grazing cows, So past them all the rapid circle flies: His friends, while loud applauses shake the skies, With force conjoin'd heave off the weighty prize.