The story unfolds over the course of years, and actor Manish Dayal came up [ … ]. Vain sinkut saavat kirjoittaa - Sivu Pingback: Hoe kom je de boom in? Een lijst je. Reblogged this on nealstotts. Pingback: Avoiding Holiday Parties? Reblogged this on txwikinger's blog. Tags for this story:. Amy Cuddy body language confidence impact of ideas posture power posing psychology social psychology TEDGlobal The TED film festival: Conference shorts.
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By Kate Torgovnick May. Dragonflyboy commented on Dec 19 Use different angles. The tendency for group photos is to take them all from the front and center.
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Instead, try taking group and couples photos from different sides and directions to place the focus on different people in the group. Instead of having everyone look at the camera, have people look at each other. This is a great way to pose if you are taking a couples photo. Look at each other or have one of you look at the other.
Avoid a busy background. Because a group or couples photo has more than one subject, having too much happening in the background can be distracting to the eye. Instead, use a shallow depth of field or a quiet background to place the focus on the people. Setting the camera to portait mode will make the camera automatically focus on your features.
Yes No. Not Helpful 1 Helpful What if I have very big ears? I am a boy, my hair can't hide them much. You could try a longer hair cut to try to hide them, or you could look into pinning your ears back if you think they stick out too far. But honestly, I would suggest you just love yourself! You're perfect just as you are, my friend! Not Helpful 6 Helpful Teenagers, being young, should opt for a more natural look or a diva pose.
You should just focus on having a nice, warm smile and an open body posture. Not Helpful 13 Helpful How can I take a picture with the person I have a crush on without letting them know? A group or class picture could be a great way to sneak your crush into a picture. Take this while on a field trip or something, but don't be really pushy about trying to get them in the picture or your intent will be obvious to everyone. Not Helpful 1 Helpful 9. There are many, but try putting your hands in your pockets and one shoulder lower the the other.
Stand a little to the side by the way and make the shoulder closer to the camera the higher one. Not Helpful 9 Helpful It helps to smile with your mouth closed if you're self conscious about your teeth. Simply turning the edges of your mouth up can create a cute smile that works well in pictures. Relax and make sure your smile doesn't look forced. Follow the guidance of the photographer for where to look and how to tilt your head.
Not Helpful 2 Helpful 4. Unanswered Questions. How do I pose for a picture to look less skinny? Answer this question Flag as Flag as Include your email address to get a message when this question is answered. Already answered Not a question Bad question Other. Tips To give the illusion of smaller body parts, push the largest parts of your body the furthest away from the camera. Things that are closer will appear larger than things further in the distance. Take photos with good ambient light.
Too much direct light can cast harsh shadows that make you appear older than you are. Maintain good communication with the photographer to get the best poses. A good photographer should be able to direct you into the most flattering pose for your body type and position. Edit Related wikiHows. Article Summary X To pose for a picture, try to tilt your head slightly away from the camera to create shadows along the cheekbones, which will prevent your face from looking too wide.
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Portrait Photography Tips – Improve Photography
A Anonymous Apr 13, Before reading this, I was looking so bad when someone was taking a pic of me. I was always looking strange and unnatural. Rated this article:. MR Marly R. Apr 1, I am awkward when it comes to taking pictures, but I learned a lot from this article.
A Anonymous Sep 12, Your face is white, your chin turned down. Sweating, you smile with your mouth but not your eyes.
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You touch your face, tug your hair, offer your hands out with palms up, but then turn your head to look away. You hunch over, crouch, and curl up to make yourself small. The Face and Hands. Obviously the face, but also the hands, play a critical role in expressing emotion and mental states. If you doubt the importance of the hands in expressing thoughts and emotions, consider the fact that a whole language, sign language, revolves around the pictorial shaping of the hands and fingers.
Or the fact that some photography models specialize in hands. Or that there are hundreds of different hand gestures, like beckoning, the high-five, thumbs up, wagging a finger, handshakes, saluting, and flipping the bird. People clench their fists when angry, fidget with their fingers when nervous, and wave you off when they want to avoid you. As many fascinating photographs show us, people often use hand gestures while they are talking, sometimes without even realizing what they are doing. It's an interesting moment to take the shot. Some psychological studies suggest that such gesturing helps people access language and memory.
And how could we not pay attention to the face? The complexity and nuances of facial expression reflect the diversity and subtlety of human emotion. People wear their personalities on their faces.
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These are the reasons why we are fascinated by portrait photography. However, as the well-known psychologist Paul Ekman discovered in his research, there do seem to be seven basic emotions conveyed by seven basic facial expressions that people around the world recognize:. Sadness : The eyelids droop; the inner corners of the brows rise; the corners of the lips pull down; the lower lip push up in a pout.
Surprise : The upper eyelids and brows rise; the jaw drops open. Anger : Both the lower and upper eyelids tighten; the brows lower and draw together. Intense anger raises the upper eyelids as well. The jaw thrusts forward, the lips press together, and the lower lip pushes up. Contempt: As the only expression that appears on just one side of the face, in contempt one half of the upper lip tightens upward.
Disgust : The nose wrinkles; the upper lip rises; the lower lip protrudes. Fear : The eyes widen; the upper lids rise, as in surprise, but the brows draw together. The lips stretch horizontally. Happiness : The corners of the mouth lift in a smile. The eyelids tighten, the cheeks rise; the outside corners of the brows pull down. Whether faces can express any more than these seven emotions is still a highly debated issue. As psychologist myself, as well as a photographer, I find it hard to ignore the many nuances of facial expression.
Similar to the message clusters described previously, variations in the intensity of these facial expressions, along with different combinations of the seven basic patterns, communicate a wide range of mental states. What do people look like when they feel a mixture of happiness and sadness, or when their surprise slides into anger? Body Language in Composition. Body language in a photograph never occurs in a vacuum. Other elements of the image influence how we interpret the physical appearance and posture of the subject.
Consider the role of body language in the overall composition of the shot:. Do they reinforce each other, as in feeling peacefully horizontal, firmly vertical, energetically diagonal, or do they compete with each other in interesting ways? Consider the psychological meanings associated with those shapes. For example, circular formations of the body suggest unity and enclosure, as in hugging oneself - while triangular shapes imply groundedness, as in standing with feet planted wide and firm.
But is there a diagonal line elsewhere in the photo that threatens to pierce the circle, or an indecisively curvy shape wiggling behind the subject with strong akimbo legs? Movements : As we noticed in the description of message clusters, body language can present movements of closing in, contracting, opening, expanding, crossing, coming closer, and shifting away. How do other aspects of the image influence these sensations — such as a receding perspective, the visual rhythm of repeating elements, bubbling bokeh, blur, and gradated changes in tone, color, shapes, and complexity?
Do they supplement, balance, or contradict those movements? Tactile Sensations : We associate touching and tactile sensations with body language, like being stiff, loose, hard, soft, rough, smooth, and relaxed. Consider how textures in the image complement, balance, or compete with those sensations. Also consider the impact of the symbolic elements in the image, such as a person curled up next to a small bicycle, a bright light shining behind a woman deep in contemplation, or a woman raising her nose as she walks by a fancy car.
Post-Processing : In the post-processing of an image, think about whether you want to use effects that echo, supplement, or oppose the body language in the shot. A soft focus will enhance a moment of tenderness. High contrast will magnify an aggressive body. Will reversing those effects soften or undo the impact of the body language?
Will it provide a curiously different viewpoint for interpreting the postures of the subjects? Two Shots and Group Shots. The body language of a single subject in a photo can be very intriguing, but things really start getting interesting when we see the body language of two or more people interacting with each other. When teaching my college course on group dynamics , I take shots of the students in their groups, sometimes asking them to create a particular pose for me, and sometimes capturing a spontaneous moment.
While discussing the shots soon after taking them and later in the semester, we continually find ourselves amazed at how much the body language reveals about individual people, their relationship to other people, and to the group as a whole. Listed below are some of the insights from our discussions.
These observations might be useful to photographers who enjoy taking spontaneous shots of groups, as well as those who are posing subjects for a particular psychological effect. For all of these items below, consider how your viewpoint when you take the shot might capture some of these elements of body language, but not others. Did you include the important elements, or accidentally miss them? Personal space : We all have this invisible zone around our bodies that we consider our own personal space. Only people with whom we are intimate are allowed into this zone.
When anyone else enters it, we might feel intruded upon or threatened. Think about the discomfort of being in a crowded elevator. In a photo of two or more people, can you see the personal spaces of the subjects? Does the size of the space vary for different people?