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See the list. Dude, let's go bowling. A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

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A rich but jealous man hires a private investigator to kill his cheating wife and her new man. But, when blood is involved, nothing is simple. Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

A naive business graduate is installed as president of a manufacturing company as part of a stock scam. When a childless couple of an ex-con and an ex-cop decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated. Larry Gopnik, a Midwestern physics teacher, watches his life unravel over multiple sudden incidents. Though seeking meaning and answers amidst his turmoils, he seems to keep sinking.

The Man Who Wasn't There: Investigations into the Strange New Science of the Self

In the deep south during the s, three escaped convicts search for hidden treasure while a relentless lawman pursues them. A week in the life of a young singer as he navigates the Greenwich Village folk scene of A disk containing mysterious information from a CIA agent ends up in the hands of two unscrupulous and daft gym employees who attempt to sell it. A beautiful gold digger matches wits with a shrewd Beverly Hills divorce lawyer who is increasingly attracted to her. An eccentric, if not charming Southern professor and his crew pose as a classical ensemble in order to rob a casino, all under the nose of his unsuspecting but sharp old landlady.

A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen.

What a difference a good director makes!

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Billy Bob Thornton, who was sadly misused in Bandits, gets to recover himself in his brilliant characterization of Ed Crane in this film directed by Joel Coen. His performance is so detailed and subtle that he uses his face to great advantage in the close-ups while the narration goes on in the background.

The use of black and white heightens the atmosphere of this 40s-style film noir. The brilliant cinematography is incredible in the use of shadows and dark tones that enhances the story to such an extent. Frances McDormand is incredible in the film as well. And what could one say about James Gandolfini?

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He gets better and better all the time. The atmosphere of the era is captured even in the small details. It's very refreshing to see the Coen brothers get over their last disaster of "State and Main" with such panache, aided of course by their star, Billy Bob Thornton and the ensemble cast and a great and ironic story.

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Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong. Directors: Joel Coen , Ethan Coen uncredited. Writers: Joel Coen , Ethan Coen. From metacritic. Use the HTML below. You must be a registered user to use the IMDb rating plugin. A Guide to the Films of the Coen Brothers. Nominated for 1 Oscar.

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Miller's Crossing The Hudsucker Proxy Ed Crane's Americanness runs through him like a stick of rock. He has hardly any dialogue, but dominates the movie through his rumbling, tenor voiceover: he is indeed there but not there. This is a classic performance from Thornton, displaying the kind of maturity and technical mastery that we hardly dared hope for from this actor.

The work is a thriller in the style of James M Cain, set in suburban California in and obviously influenced by the movies of the period, yet somehow transmitting the atmospheric crackle of a strange tale from The Twilight Zone. It is the story of how self-effacing Ed Crane, in yearning for a better station in life than that of the humble barber, with his smock and scissors, succeeds only in getting mixed up in the adulterous affair being conducted by his wife Doris, played by Frances McDormand, and her boss Big Dave James Gandolfini , leading to blackmail, bloodshed, and the shadow of the electric chair.

The Man Who Wasn't There is shot in black-and-white by the Coens' long-standing cinematographer Roger Deakins, with superbly observed loca tions and sets: exquisitely lit, designed and furnished. As in so many of the Coens' films, an entire universe is summoned up, partly recognisable as our own, and yet different, a quirky variant on real life with its very own fixtures, fittings and brand names.

Doris and Big Dave work in a department store with the jocose name of Nirdlinger's, whose creepy manikins and hulking display cabinets are shown in the empty store at night. In a previous scene we've seen Ed and Doris attending church on a Tuesday night for the charity bingo session: a secular High Mass for the semi-believers. Frances McDormand is the second compelling reason to see this film, the querulous wife who married our dourly taciturn Ed after a courtship of just two weeks, and on being asked if they should get to know each other more, simply replied: "Does it get better?

Ed is to reveal, glumly, that he and Doris "have not performed the sex act for many years", yet somehow their relationship is saturated with a gamey erotic perfume, like the ones she gets from Nirdlinger's with her staff discount. She lounges in the bath, asking languidly for a drag of his cigarette and getting him to shave her legs, which he does humbly, unhesitatingly: an uxorious moment of displaced sexuality which is recalled in the movie's final, devastating scene. With extraordinary clarity and economy, Joel and Ethan Coen present scenes from a marriage as fascinatingly fraught as anything in the cinema.

All the time, Thornton's face looms over everything, a one-man Mount Rushmore of disquiet.