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Getting Started With Live Music Photography: 7 Quick Tips

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Tantalo also points out that not all venues are inside, and festival work might require other prep. How low is the lighting? Will they have a photo pit, or do I have to shoot from the front of the house AKA the soundboard? But immersing herself is the only way she gets those shots that make you feel as if you were there.

I try to be as sparse with that as possible because no one wants to have light going off in their face every five seconds. Again, even though you may have taken every possible step to make sure things would work out, live music has fickle tendencies. Heins reiterates what any good photographer knows: it all comes down to light. That means your ideals for music photography are lightning fast lenses, and a camera body that can push its ISO without drenching photos in grain.

Both of those things together will cost you a fortune, but the most important part is the glass , of course. The rest of it is knowing where to be and when. With bigger jobs involving outlets owned by corporations and the like, your deliverables will vary wildly. Some publications only need one shot, some ask for 20 or more. But your own artistic choices are yours and yours alone, unless an outlet demands something very specific.

It can be difficult to break away from the attraction of technical perfection, but once Heins was able to do so, it opened her up to new ways of seeing things and resulted in great shots like the one below. Going even beyond that, the most important thing when it comes to your actual work will be cultivating an aesthetic that sets you apart, Heins says. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time.

Shooting Concert Photography: Tips From the Photo Pit Pro (Premium) | La Noir Image

Respect the band, respect the crowd, respect the other photographers, respect the people who let you shoot the show. Respect people in general. Why would I do that?