Bard in the Barracks has been staging the works of William Shakespeare in the downtown district now for more than 12 seasons. Since its inaugural production of Much Ado About Nothing in , the company has produced numerous Shakespeare plays often running two productions each season with performances split between Barracks Square and Odell Park.
Brendan the Bard - Four Seasons
This year he will be acting in one production while directing the other. Both the University of New Brunswick and St. Thomas University have strong theatre programs and produce plays throughout the school year. After performing with a variety of theatre companies and festivals across Canada, including three seasons with the Shaw Festival , Gaze moved to Vancouver in where he performed as Richard III in the season of the now defunct Vancouver Shakespeare Festival.
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While in Vancouver, Gaze became acquainted with a group of actors and fellow Shakespeare lovers when he was asked to direct a production of Under Milk Wood for the Vancouver Fringe Festival. The following summer, this same group staged A Midsummer Night's Dream in a rented theatre tent in Vanier Park as the inaugural Bard on the Beach production. The company's initial four-week run drew a total of 6, people and signaled the need for a more formal company structure.
There is also a group of tents known as the Bard Village which contains the box office, Bard Boutique gift shop, and concession stands.
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The festival grounds also contain dressing rooms, administrative offices for seasonal staff and a Hospitality Marquee along with two large picnic lawns and portable washrooms for patrons. Bard purchased its first seat saddlespan tent in By the end of the season, the Mainstage theatre tent was in need of replacement and, following the "Staging our Future" capital campaign, the Festival built a custom-designed Mainstage theatre tent.
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The new tent expanded the seating capacity to seats and included a redesigned stage. The theatre tent also came with more comfortable seating for patrons including cup holders for drinks purchased from the concession stands. The new tent maintains an open-backed design and Bard's signature backdrop: False Creek ; the Coast Mountains ; and city skyline.
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The physical playing space within the theatre was named after the Bank of Montreal in recognition of their lead contribution to the Festival's capital campaign. Bard on the Beach typically stages two productions in repertory on the BMO Mainstage in each season, alongside a selection of choral, symphony and opera presentations. The set presents a unique challenge and opportunity for set designers from year to year as it must incorporate elements which can be shared by both productions during season. The Douglas Campbell Theatre tent was added in as part of Bard's 10th anniversary season as an intimate space for the staging of Shakespeare's lesser-known works or for more modern, innovative stagings of the established canon.
Beginning in with a production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard , the theatre tent has also served as a space for productions of plays which, while not by Shakespeare, serve to examine the context of his work. The theatre is named for the Canadian stage actor Douglas Campbell. Campbell was a good friend and mentor to Christopher Gaze and had either performed in, or directed, plays in Bard's earlier seasons.
This smaller theatre tent seats people and its adaptable layout and seating configuration are similar to that of a black box theatre.
The tent structure was replaced at the beginning of the season as part of the "Staging our Future" capital campaign. In addition to operating the Festival, the Bard on the Beach Theatre Society operates a host of youth-oriented outreach programs under the umbrella of Bard Education.
Collectively, the programs endeavour to inspire the community through dynamic, engaging experiences with the language, characters and plays of William Shakespeare. Bard in the Classroom workshops are delivered by Teaching Artists - actors, directors and other theatre practitioners trained by Bard to facilitate workshops for young people. The in-class workshops can be adapted for all age groups have been delivered for students between the ages of 4 and Every twig, apples big, Every bough, apples now.
Hats full, caps full, full quarter sacks full, Holla boys holla, and blow. I confess that I have always found January to be the hardest month of the year. Named after the God Janus there is a real sense of things not quite beginning yet, with the God's faces seeing both back to the old year, and forward into the. Lughnasadh aka Lammas is one of the 8 festivals that are held within the modern Pagan Wheel of the Year.