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What critics said: "A tough and touching exploration of honor and friendship among thieves. What critics said: "Reveals Soderbergh in peak form, as he endows Leonard's postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar. What critics said: "A wonderful treasure from the seemingly inexhaustible cornucopia of crackling French crime dramas.

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What critics said: "Eschews pastiche for a sweet, affable character study that resurrects Redford's original star power with a wet kiss. The entire picture amounts to a low-key cinematic resurrection.

What critics said: "A devilishly entertaining crime story with a heroine who must be seen to be believed, is as satisfying an ensemble piece as 'Red Rock West. What critics said: "Under Jonathan Demme's masterful cinematic surgery, we get into Lecter's twisted skull and, through this outrageous descent, we come to see this sinister in the everyday.

What critics said: "A sombre, insightful, genre-reinventing western, directed by a filmmaker acutely aware of the western's history, its limitations and the dubious truths of its legends. What critics said: "Rotates its story through satire, comedy, suspense and violence, until it emerges as one of the best films I've ever seen.

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What critics said: "A triumphant revisiting of territory in which Scorsese is an unchallenged master -- the crime drama. What critics said: "The film is an appropriately dour and intense indictment of a law-enforcement community that did not value the lives of some victims enough to devote anything but the slimmest of resources to tracking their killer down. What critics said: "Led by a magnificent Viola Davis, the cast is ridiculously stacked. The action is tremendous. And the ultimate message - that nothing comes for free in America - is devastating in its swift brutality.

What critics said: "An awe-inspiring piece of filmmaking from Edgar Wright that plays out as a musical through the lens of an action thriller. Sweet, funny and utterly original — you won't see a film like it this year. What critics said: "It's one of the most emotional and compelling the filmmaker has ever made. Confident, uncompromising and blisteringly realistic, 'Sweet Sixteen' is a gritty and immediate film yet it goes right to the emotions.

What critics said: "Michael Tolkin's script abounds in such cynical wisdom, but it never loses an appreciation for the grace with which these snakes consume their victims.

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What critics said: "The movie is taut, tense, relentless. It shows why Shaun feels he needs to belong to a gang, what he gets out of it and how it goes wrong. What critics said: "Not only captured the bleak qualities of the old film noir melodramas but supplied an undercurrent that is as sly as it is unsettling. What critics said: "A flat-out electrifying experience.

What critics said: "The film is a singularly huge, relentless, all-encompassing set piece that mutates and spasms with terrifying lack of foresight. It's all business, business, business. What critics said: "The surehandedly wrought, beautifully acted, almost unbearably tense 'In the Bedroom' is a rare film, not to be missed.

What critics said: "Fonda and Hopper's now-classic film hit the old guard with the force of a rifle shot to the head.

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What critics said: "A haunting, superbly made film. But it's also an unrelentingly sad and depressing experience. What critics said: "Kidman grabs center stage and never relinquishes the position. Playing mercilessly against her pinup girl image, she's an unforgettable, comic archetype—a more slapsticky corollary to William Hurt's bumbling, handsome newscaster in 'Broadcast News. What critics said: "Just as Brenda lives by a credo never to judge another woman, so too does the film, which creates an uplifting portrait of redemption and acceptance. What critics said: "A masterly reconstruction of a Brooklyn bank siege on August 22, , built around arguably Al Pacino's finest screen performance.

What critics said: "It's the rare film that decades later can seem as timely as it was the day it came out. The searing documentary 'The Murder of Fred Hampton' is such a film. What critics said: "Disturbing. It is impossible to sit through Maria Full of Grace and not be affected by the circumstances of the characters. For that, the credit must go to Marston and his actors. What critics said: "It is galvanizing because of Al Pacino's splendid performance in the title role and because of the tremendous intensity that Mr.

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Lumet brings to this sort of subject. What critics said: "Mixing moments of genuine terror with offbeat comedy, writers Tom Epperson and Thornton have created a script that jumps along wih the energy of 'In Cold Blood. What critics said: "For dynamite suspense loaded with thrills and wicked fun, you can't beat 'The Fugitive' — the summer's best action blaster.

What critics said: "'To Kill A Mockingbird' is a product of American realism, and it is a rare and worthy treasure. What critics said: "Probably the bleakest, least sentimental study of the Mafia in Italian or American film history. What critics said: "It's an endlessly entertaining, challenging investigation of history that confirms Ruizpalacios' status as the next big thing in Mexican cinema. What critics said: "This shrewdly observed story asks another question: Is civilization possible in a nation where discrimination has such deep roots? In 'Sweet Country,' the answer arrives with a tough fatalism.

What critics said: "A thrillingly good movie — a crackerjack drama of crime, fear, and brotherly love set in a sun-roasted, deceptively sleepy West Texas that feels completely exotic for being so authentic. What critics said: "A small comic masterpiece that dares to deal with that of which many Sicilians dare not speak: the Mafia. What critics said: "Easily the most brilliant of the genuflections bestowed on the American gangster movie by the French New Wave. What critics said: "Sarandon and Davis give superb, wonderfully interactive performances: funky, fierce, funny and poignant.

What critics said: "While the film continues almost throughout to generate great whoops of shocking laughter, it's the notes of genuine sorrow, compassion and contrition that resonate. What critics said: "Intensely enjoyable--in some ways the best of Hitchcock's American films.

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What critics said: "A fascinating and fine-grained reconstruction of that period in its subject's life, a time when he Capote pursued literary glory and flirted with moral ruin. What critics said: "It's hard to deny that Marlon Brando's performance as a dock worker and ex-fighter who finally decides to rat on his gangster brother Rod Steiger is pretty terrific. What critics said: "As casually insensitive and careless as you might expect from a film of this era, but it's also surprisingly crafty about finding ways to incite discussion. What critics said: "A gorgeous flirt of a murder movie.

What critics said: "Ferocious brutality is presented without commentary or judgment, yet with unmistakable moral understanding and vision. What critics said: "Excellent quasidocumentary, which sends shivers down the spine. What critics said: "The love child of Bollywood and Hollywood, 'Gangs of Wasseypur' is a brilliant collage of genres, by turns pulverizing and poetic in its depiction of violence.

What critics said: "Thanks to Marsh's sensitive storytelling, 'Man on Wire' manages to put Petit's performance into another, more ineffable realm: What began as a caper turned into poetry, and poetry became a prayer. What critics said: "As incisive as it is thrilling, Carpenter's film is also gorgeous. Carpenter's imagery is a thing of propulsive beauty that both enhances suspense and expresses his characters' ever-changing relations to one another. It's a fleet, ferocious piece of genre craftsmanship.

What critics said: "A provocative political thriller that is as troubling today as when it came out in Maybe more so. What critics said: "For some, the silver linings in Russell's movies represent a failure to embrace darkness. I see them as a humanist's act of resistance. That's why 'American Hustle' ranks with the year's best movies. It gets under your skin. What critics said: "An extraordinary film; it may be the most haunting documentary since 'Crumb. What critics said: "An unflinching, powerfully visceral and haunting portrait of the tragic events aboard one of the terrorist-commandeered flights on the fateful morning of Sept.

What critics said: "Try to get Siegel's masterful camera rise out of your head: gun-happy Harry looming over his jabbering perp, who screams like a stuck pig as the shot recedes high into a dense night fog. This is not a cop film. It's a monster movie. What critics said: "Yang's anti-nostalgic slice of s Taipei life suggests a Tolstoy-size expansion of the ballads from Bruce Springsteen's 'Darkness on the Edge of Town.

What critics said: "Audiard delivers on and exceeds the promise he evinced in that earlier film, drawing viewers into the densely layered, ruthless ecology of a French prison and, against all odds, making them not mind staying there awhile. What critics said: "A movie bull's-eye: noir with an attitude, a thriller packing punches. It gives up its evil secrets with a smile. What critics said: "Persistently upends expectations without insult, as it pulls you into a netherworld filled with yearning, whimsy, and danger.

Beautiful Canvas Volume 1 collects the first few issues of a smash hit warped crime miniseries about Lon Eisley discovering the similarities and differences between her job as a hitwoman and her new role as a mother-to-be when she finds out her girlfriend is pregnant.

In this awesome six-issue volume he embarks on a rescue mission to save Prince Philip and unravel an international terror plot, in a story that starts where James Bond draws the line. Book One collects issues In Glitterbomb Vol. The dream is hers for the taking. The entertainment industry feeds on our insecurities, desires, and fears. This volume collects Glitterbomb: The Fame Game In the early 20th Century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities.

Zane Pinchback, a reporter for the New York-based New Holland Herald, is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. This story is fast-paced and gripping and the reader is always kept curious about what would happen next. A work of fiction with some elements rooted in history, this is an astonishing work of graphic fiction about a challenging period in the 20th century history. Why is there no date to be found on this post? Makes it difficult to understand how current this information is. The Black Monday Murders Vol.

Normandy Gold Vol. This book has inspired a highly sought-after TV series, and now a graphic novel as well. Badlands Second Edition Badlands is a fictional crime drama that depicts the events leading up to the assassination of JFK and examines the longstanding question—was there a second shooter? Crosswind Vol. Beautiful Canvas Volume 1 Beautiful Canvas Volume 1 collects the first few issues of a smash hit warped crime miniseries about Lon Eisley discovering the similarities and differences between her job as a hitwoman and her new role as a mother-to-be when she finds out her girlfriend is pregnant.

Glitterbomb Vol. Leave a Reply Cancel reply. Log In Username. Remember Me. Sign In. Enter username or email. Start typing to see results or hit ESC to close thrillers featured news book review crime fiction. See all results. Subscribe to our newsletter and stay in the loop on the best of mystery art and writing. We usually send an email once or twice a month, with updates on our new stories and projects. More Stories.

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