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He was immediately drawn to the customs and lives of these peoples and thereafter devoted most of his art to them.

Une femme mariée: Suite de fragments d'un film tourné en 1964 (A Married Woman)

From to , Theodore Valerio recorded the dress, customs and habitations of the Hungarian and Baltic peoples with several brilliant series of original etchings. Although these etchings faithfully render each and every detail, these are no mere costume plates. Both Valerio's gifted talents and his deep reverence for the persons he portrayed make these etchings major works of art. Indeed, one has to search all the way back to the seventeenth century studies of Wenzel Hollar to find anything so accomplished in this medium. Theodore Valerio's etchings were printed in Paris by Auguste Delatre.

Perhaps the finest printer of etchings of any era, such contemporary masters as Whistler, Meryon, Millet, Rousseau and Daubigny relied upon Delatre for his skills and expertise. As well, this particular impression of Femme Mariee de Belgrade Married Woman from Belgrade appears to be from a select edition.

It is printed upon fine, China paper and impressed onto a large sheet of white, wove paper. Furthermore it bears Theodore Valerio's red 'cache de vente' 'T. Later in his life, Theodore Valerio visited England but he was not impressed by what he termed, "the gray and green appearance of the country.

Femme Mariee de Belgrade (Married Woman from Belgrade)

Printed upon thick, white, wove paper and with full margins as published in Paris in It should be noted that the dimensions of the paper extend almost to the border of the frame. Such extra wide margins were often used for early or special impressions. Thus on this special impression, Theodore Valerio's red seal stamp appears along the lower margin. The etching itself is printed upon a fine sheet of china paper which has been pressed into the wove paper almost to the plate-mark.


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Femme Mariee de Belgrade Married Woman from Belgrade is signed and dated in the plate in the lower right corner by Valerio. A superb, early impression and in near flawless condition throughout.

Jean-Luc Godard coolly dissects modern bourgeois life in the digitally restored 'Une Femme Mariée'

This original etching represents a prime example of the famous art of Theodore Valerio, one of France's great nineteenth century masters of etching. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. The E-mail Address es field is required.

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